Dvorak’s Op. 65 “Piano Trio in F Minor”

Sunday April 4: The Chamber Music Society of Lincoln Center (CMS 21-28)

Brahms/Dvorák

Brahms: Zwei Gesänge for Voice, Viola, and Piano, Op. 91

Sasha Cooke, Mezzo Soprano; Paul Neubauer, Viola; Gilbert Kalish, Piano

Dvorák: Trio in F minor for Piano, Violin, and Cello, Op. 65

Wu Han, Piano; Philip Setzer, Violin; David Finckel, Cello

Early Music With Sara Schneider (EMN 20-41)

April Fools' Day

Believe it or not, there's some pretty strange early music out there, and this week's Early Music Now proves it! We'll revel in the weird, wild, and wacky with composers like Heinrich Biber, Solage, Carlo Gesualdo, and Henry Purcell.

Anon.: La Badessa. The Newberry Consort Music
Guillaume de Machaut: Ma fin est mon Commencement. The Hilliard Ensemble
(Jean?) Solage: Fumeux fume. & Matteo da Perugia. Le greygnour bien. The Early Music Consort of London
Anon.: Da passione domini/Rumpelmetten. Piffaro
Ludwig Senfl: Von edler Art. The Orlando Consort
Carlo Gesualdo: Languisco, e moro, ahi cruda. Les Arts Florissants
Heinrich Biber: Sonata Jucunda ACRONYM.  Jean-Fery Rebel: Le Chaos from Les Elements.
Henry Purcell: What power art thou (Cold Song) from King Arthur. Andreas Scholl, countertenor; Accademia Bizantina
J.S. Bach: Toccata and Fugue in d minor, BWV 565, for solo violin Andrew Manze, violin
Pancrace Royer: Le Vertigo. Christophe Rousset, harpsichord